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Friday 13 September 2024

Ups and Downs at the Mill - Sepia Saturday

Continuing  the Highs and Lows September theme, this week’s Sepia Saturday's prompt photograph shows an industrial scene,  including a factory, a tall chimney  and a goods train (see the end of this post).  So take a look here at the local history story of  Rhymer’s Mill  in the rural Scottish Borders.


 

 For over 200 years, textile production was an important part  of the local economy.  

We have one of the earliest descriptions of the village  in  t 1799 in  "The First Statistical Account of Scotland, 1791-1799," edited by Sir John Sinclair, where  Parish Minister Rev.  Lawrence Johnston wrote:

 "The principal manufacture is linen cloth.  There are between 40 and 50 weaver looms mostly employed weaving linen........ We have only one woollen manufacturer,  though no place could be better  situated for carrying out that branch of trade.   The Leader Water runs along the west and there is plenty of wool to supply 20 manufacturers."
 In the late 18th century, RHYMER'S MILL was  a corn mill before being transformed by the Whale family into a textile mill where  the production of gingham was introduced by Thomas Whale, succeeded by his two enterprising  daughters Christian and Marion - two formidable women ahead of their time.  



A carved inscription on the old mill building, 
 with  the names C & M Whale clearly visible.


The 1851 Census identified Christian  Whale as a 64 year old manufacturer of gingham and cotton, employing 60 workers, mainly weavers and winders of cotton. Also in the business was her sister Marion aged 56.    Ten years on in 1861 Christian, now aged 74  and Marion 66, were both described as Gingham Manufacturers.
 

Rutherfurd’s 1866 Directory of the Southern Counties, commented
 Earlston produces quantities of the Earlston ginghams. There is no other place in the country where the same class of gingham is made”.

Two surviving examples of the Earlston Gingham  in the collection of Auld Earlston
 
Rhymer's Mill later became a dye works run by and the path  alongside the Leader Water is still referred to as "The Tenters" where the dyed wool was hung out to dry.  In 1911 the premises were taken over by John Rutherford & Sons,  agricultural engineers, who operated at the mill until the business closed down in 2014. 
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 In the 1851 Census, at MID MILL Charles Wilson was owner:
""of the firm of Charles Wilson & Sons,  blankets and plaiding manufacturers employing 18 men 7 women and 19 girls".  Ten years on, the business had extended to making tweeds, and employed  "28 men and 44 women, boys and young women". 
Young workers listed in the censuses include:
  • Piecer in a Woollen Factory   (a 13 year old boy)
  • Machine Feeder in a Woollen Factory (15 year old girl - sounds dangerous! )
  • Steam Loom Weaver of Wool (18 year old girl)

Subsequently Simpson and Fairbairn took over the business and greatly extended its operations. It appears that the firm later adopted the name of Rhymer's Mill. The local heritage group Auld Earlston is fortunate to have a collection of photographs of the mill dating from the early 1900's . 
 
 We often think that the role of women in the 19th century was one of all things domestic.  But for many of our female ancestors, life involved working long hours in the mill in   various aspects of textile production, whether it be knitwear, tweed, cotton, lace or carpet production.   





Down to the job in hand

Mill Road  where houses were built for the workers

Rhymers Mill  weathered the storm of global depression in the 1920's and 30's.  The Mill was fully employed on service and  utility clothing during the Second World War.   and the post war years saw  a boom time for the Borders as world wide stocks of clothes had to be replaced, with the firm employing more than 300 workers, making it  the  mainstay of the Earlston economy. 

But by the late 1950's and early '60's, the old problems of cheaper competitors and vulnerability to changing fashions had returned.  The decline could not be stemmed and tidal wave of workers along Mill Road turned to a trickle.  The mill finally closed in 1969 when a workforce of almost 100 was made redundant.  

Earlston's role in the  Borders textile industry  
came to an end.
 
 

Two photographs taken in 1974  
of the derelict Rhymer's Mill


  A current street sign in Earlston reminds us of the village's industrial past.  
 
 
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With grateful thanks to Auld Earlston for permission 
to feature photographs from its collection.  
 
 
Sepia Saturday gives an opportunity for genealogy bloggers  to share their family history and memories through photographs
 
 
Click HERE to  see how other Sepia Saturday bloggers 
have been hard at work this week . 

5 comments:

  1. What a lot of good history you have about the mills. So sorry to see the building was left to the elements, and that was 50 years ago. But there sure are reminders of it still around.

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  2. Gingham is one of my favorite patterns in cloth except I like light colors - light blue, mint green, pink, lavender, and the like. I'm surprised there wasn't more interest in wool. As you pointed out, the area could have been supportive of it.

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  3. During the 19th and early 20th century girls/women were employed in the textile industry in the eastern part of Holland as well. But when they got married, they had to resign (or were fired). Married women belong in the kitchen, was the common belief...
    In Holland there is an increasing belief that some of these early industrial buildings should have monument status.
    Do I see men climbing the chimney in the second picture? Must be the chimney sweepers :-)

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  4. I've always found industrial history much more interesting than that of wars and famous people. It's fascinating how textile manufacturing changed so many things like machinery, automation, power supply, and even social order, not to mention fashion trends, too.

    I recently read a great book that I know you will like. The title is "The Fabric of Civilization: How Textiles Made the World" by Virginia Postrel. The author presents an overview of fabric from ancient to modern times that covers every culture in the world. I found it very engaging as she convincingly argues that the "stone age" should be called the "string age."

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  5. Excellent history of the mill and the textiles created there, and kudos to the two enterprising daughters who took over the enterprise. I also had working women in my family -- mainly in the glove and shoe industries in upstate New York. In fact, one of my Italian-American great-grand aunts worked in a glove shop office until 70, never married and used her earnings to help support her extended family of origin. Such work was often liberating for women in that era.

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